Archimandrite Pavel Stefanov

The Oecumenical Councils. From Nicaea I (325) to Nicaea II (787). G. Alberigo (ed.). Vol. 1. Tournout, Brepols, 2007, xiv + 373 p. (CORPUS CHRISTIANORUM CONCILIORUM OECUMENICORUM ET GENERALIUM DECRETA, 1),55 x 245 mm, ISBN 978-2-503-52363-7, Price: € 150.

The Oecumenical Councils. From Nicaea I (325) to Nicaea II (787) s the title suggests, the present edition comprises those texts of the Councils’ decrees which are formally ‘ecumenical’, as well as those decrees of the main ‘general’ Councils, whose authority is recognized by many churches, or else is accredited with such status by Roman tradition. These texts will be presented in four volumes, reflecting
and respecting the perspectives of the various Christian traditions. The first volume contains the texts of the decrees from the first Council of Nicaea (325) to the Second Nicene Council (767), including the council in Trullo (692), which had been omitted from earlier editions.

Frederick Quinn [Utah State University, Logan]. The Sum of All Heresies : The Image of Islam in Western Thought. Oxford, Oxford University Press, Nov 2007, 232 pp., Print ISBN-13: 978-0-19-532563-8

Abstract:

Current global tensions and the spread of terrorism have resurrected a largely negative perception of Islamic society in the West, an ill will fueled by centuries of conflict and prejudice. Shedding light on the history behind these hostile feelings, this book traces the Western image of Islam from its earliest days to recent times. The book establishes four basic themes around which the image of Islam gravitates throughout history: the Prophet as Antichrist, heretic, and Satan; the Prophet as Fallen Christian, corrupted monk, or Arab Lucifer; the prophet as sexual deviant, polygamist, and charlatan; and the Prophet as Wise Easterner, Holy Person, and dispenser of wisdom. A feature of the book is a strong portrayal of Islam in literature, art, music, and popular culture, drawing on such sources as Cervantes’s Don Quixote; the Orientalism of numerous visual artists; the classical music of Monteverdi and Mozart; and more recent cultural manifestations, such as music hall artists like Peter Dawson, Charles Trenet, and Edith Piaf; and stage or silver screen representations like The Garden of Allah, The Sheik, Aladdin, and The Battle of Algiers. The book argues that an outpouring of positive information on basically every aspect of Islamic life has yet to vanquish the hostile and malformed ideas from the past. Conflict, mistrust, and misunderstanding characterize the Muslim-Christian encounter, and growing examples of cooperation are often overshadowed by anger and suspicion.

Keywords: Islam, Prophet, terrorism, Peter Dawson, Charles Trenet, Edith Piaf, Monteverdi, Mozart, Muslim, Christianity

Table of Contents

Introduction

1. The Prophet as Antichrist and Arab Lucifer (Early Times to 1600)

2. “The Time of Araby Has Come at Last” (1600–1800)

3. The Prophet as Hero and Wise Easterner (1800–1900)

4. “Nous Revenons, Saladin!” (We Return, Saladin!) (1900–2000)

5. The Summing Up

Appendix

Bibliography

Index